<mods:mods version="3.3" xsi:schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-3.xsd" xmlns:mods="http://www.loc.gov/mods/v3" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><mods:titleInfo><mods:title>Measurement of Motion and Emotion during Musical Performance&#13;
</mods:title></mods:titleInfo><mods:name type="personal"><mods:namePart type="given">R. Benjamin</mods:namePart><mods:namePart type="family">Knapp</mods:namePart><mods:role><mods:roleTerm type="text">author</mods:roleTerm></mods:role></mods:name><mods:name type="personal"><mods:namePart type="given">J</mods:namePart><mods:namePart type="family">Jaimovich</mods:namePart><mods:role><mods:roleTerm type="text">author</mods:roleTerm></mods:role></mods:name><mods:name type="personal"><mods:namePart type="given">Niall</mods:namePart><mods:namePart type="family">Coghlan</mods:namePart><mods:role><mods:roleTerm type="text">author</mods:roleTerm></mods:role></mods:name><mods:abstract>This paper describes the use of physiological and kinematic sensors for the direct measurement of physical gesture and emotional changes in live musical performance. Initial studies on the&#13;
measurement of performer and audience emotional state in controlled environments serve as the&#13;
foundation for three pieces using the BioMuse system in live performance. By using both motion and emotion to control sound generation, the concept of integral music control has been achieved.</mods:abstract><mods:classification authority="lcc">Arts and Humanities</mods:classification><mods:classification authority="lcc">Music</mods:classification><mods:originInfo><mods:dateIssued encoding="iso8061">2009-09</mods:dateIssued></mods:originInfo><mods:genre>Conference or Workshop Item</mods:genre></mods:mods>