Items where Subject is "Music"

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Number of items at this level: 69.


Bennis, C. and McGrath, D. and Caulfield, B. and Knapp, R. Benjamin and Coghlan, Niall (2010) A Common Awareness and Knowledge Platform for Studying and Enabling Independent Living – CAPSIL. In: AGEmap 2010 - Workshop on Roadmaps towards a strategic research agenda for ICT in active ageing, 22 March 2010, Munich, Germany. (Submitted)


Caffrey, Stephanie (2020) Evolving a signature sound: blending Celtic roots and aesthetics with divergent music production practices in studio albums recorded by The Corrs. Masters thesis, Dundalk Institute of Technology.

Casley, Brian (2015) The Role of the Mandolin in Irish Traditional Music. Masters thesis, Dundalk Institute of Technology.

Coghlan, Niall and Jaimovich, J and Knapp, R. Benjamin and O'Brien, D. and Ortiz, M.A. (2009) AffecTech- an affect-aware interactive AV Artwork. In: Proceedings of 2009 International Symposium on Electronic Art (ISEA09), 2009, Belfast, Ireland..

Coghlan, Niall and Knapp, R. Benjamin (2009) Inner-Active Art: an Examination of Aesthetic & Communicative Issues in Physiologically Based Artworks. In: Proceedings of 2009 International Symposium on Electronic Art (ISEA09), 23 August - 1 September 2009, Belfast, Ireland.

Coghlan, Niall and Knapp, R. Benjamin (2008) Sensory Chairs: A System for Biosignal Research and Performance. In: Proceedings of 2008 Conference on New Instruments for Musical Expression (NIME08), 5-7 June, 2008, Genoa, Italy.

Commins, Adèle and Kearney, Daithi (2017) A Louth Lilt. [Composition]

Commins, Adèle (2012) An Irishman in an English Musical Garden: Perceptions of Stanford’s Piano Music. Sonus, 33 (1). pp. 51-67. ISSN 0739-229X


Duffy, Grainne (2023) The Contribution of Rosetta Tharpe and Bonnie Raitt to the Blues Genre. Doctoral thesis, Dundalk Institute of Technology.


Farquharson, Lauren (2023) "The accordionist's very own examining-system": The British College of Accordionists. Doctoral thesis, Dundalk Institute of Technology.


Harding, Lee (2023) Spaces on the Stave: Documenting the Musical Lives of Transgender People in Ireland. Masters thesis, Dundalk Institute of Technology.


Jaimovich, J and Coghlan, Niall and Knapp, R. Benjamin (2010) Contagion of Physiological Correlates of Emotion between Performer and Audience: An Exploratory Study. In: Bio-inspired Human-Machine Interfaces and Healthcare Applications. Valencia, Spain, pp. 67-74., 21-22 January 2010, Valencia, Spain. (Submitted)

Jaimovich, J and Coghlan, Niall and Knapp, R. Benjamin (2012) Emotion in Motion: A Study of Music and Affective Response. In: 9th International Symposium on Computer Music Modeling and Retrieval (CMMR) , 19-22 June, London, England. (Submitted)

Jaimovich, J and Ortiz-Perez, Miguel and Coghlan, Niall and Knapp, R. Benjamin (2012) The Emotion in Motion Experiment: Using an Interactive Installation as a Means for Understanding Emotional Response to Music. In: Proceedings of New Instruments for Musical Expression (NIME) Conference, Michigan, USAProceedings of New Instruments for Musical Expression (NIME) Conference, 21-23 May 2012, Michigan, USA.


Kearney, Daithi (2022) Advancing Music in Ireland as Religious and Social Practice: The Experience of Pat Ahern. MUSICultures, 49. pp. 187-212.

Kearney, Daithi (2023) Book Review: Handbook of Niche Tourism by: Marina Novelli, Joseph M. Cheer, Claudia Dolezal, Adam Jones and Claudio Milano (Editors). International Journal of Tourism Policy, 13 (4). pp. 388-391.

Kearney, Daithi (2021) Creative Arts, Discovery and Empathy: Sharing Creativity and Exploration in Education. ETBI Journal of Education, 3 (1). pp. 27-32.

Kearney, Daithi (2021) Forging the Dance: The Expression of Regionality in Irish Folk Theatre. In: Timbres of Identity: Ethnomusicological Approaches to Music-Dance and Identity. Association of Ethnomusicology, Bursa, Turkey, pp. 39-57.

Kearney, Daithi (2020) More than Buzzing Bluebottles: New Contexts for Céilí Bands in Ireland. Ó Cos go Cluas: From Dancing to Listening; Proceedings of the 2012 North Atlantic Fiddle Convention . Elphinstone Institute, Aberdeen.

Kearney, Daithi No Longer Second Fiddle: Due Recognition for Josephine Keegan. In: Women in Music in Ireland. Boydell and Brewer, Dundalk.

Kearney, Daithi (2018) The Oriel March. [Composition] (Unpublished)

Kearney, Daithi Performing Local Music: Engaging with Regional Musical Identities through Higher Education and Research. In: Musical Spaces: Place, Performance, and Power. Jenny Stanford, New York, pp. 85-113.

Kearney, Daithi (2021) Port na bPucaí: Representations of solitude, isolation and otherworldly encounters in Irish poetry and folk theatre. Confluente. pp. 89-105. ISSN L 1842 - 662x

Kearney, Daithi (2023) Review: Lea Hagmann (2022), Celtic Music and Dance in Cornwall: Cornu-Copia (London: Routledge), 238 pp., £130, ISBN: 978-0-367-69141-7. Anthropological Journal of European Cultures, 32 (2). pp. 142-144. ISSN 1755-2931

Kearney, Daithi (2022) ‘They must know me’: Embodied Intertextuality and the Reworking of Local Irish Dance Traditions by Siamsa Tíre. International Journal ofTraditional Arts, 3. ISSN 2631-6064

Kearney, Daithi (2022) Tourism, Touring and Staged Folklore. In: Staged Folklore, The National Folk Theatre of Ireland 1968-1998. Cork University Press, Cork, pp. 27-45. (Submitted)

Kearney, Daithi and Bellew, Séamus Review: The Rose in the Gap. Journal of the County Louth Archaeological and Historical Society.

Kearney, Daithi and Burns, Kevin (2022) Come Enjoy the Craic: Locating an Irish Traditional Music Festival in Drogheda. In: Festivals and the City: The Contested Geographies of Urban Events. University of Westminster Press, London, pp. 231-247.

Kearney, Daithi and Commins, Adèle (2023) Much More Than ‘Danny Boy’: Bringing Irish Traditional Music to the USA. Ethnomusicology Forum, 32 (2). pp. 251-267. ISSN 1741-1920

Kearney, Daithi and Commins, Adèle (2018) Oirghialla Oscailte. Dundalk Institute of Technology, Dundalk.

Kearney, Daithi and Commins, Adèle (2021) The World is our Oyster: The Benefits of International Experiences in Higher Education. All Ireland Journal of Higher Education, 13 (1).

Kearney, Daithi and Commins, Adèle and McGuinness, Philip (2021) Virtual Musicking During COVID-19: Maintaining a Music Ensemble Community. Journal of Music, Health and Wellbeing.

Kearney, Daithi (2012) Beyond location: the relevance of regional identities in Irish traditional music. Sonus, 33 (1). pp. 1-20.

Kearney, Daithi (2017) Capturing the Moment and Replaying the Tape: Developing Technology-Enhanced Strategies for Student Learning and Engagement in Music Performance at Third Level. In: Teachers as learners: exploring the impact of accredited professional development on learning and assessment in Irish Higher Education. AISHE, Dublin, pp. 48-57. ISBN 9780993525445

Kearney, Daithi (2010) Conference Review: First International Conference on Irish Music and Musicians. Musicology Review (6). pp. 257-260.

Kearney, Daithi (2016) From Tralee to Times Square: Bringing Irish folk theatre to Broadway. In: The circulation of popular culture between Ireland and the USA, June 16-17-18, 2016, Université de Reims Champagne-Ardenne. (Submitted)

Kearney, Daithi (2009) ‘I can’t believe the news today’: Music and the politics of change. Chimera, 24. pp. 122-140.

Kearney, Daithi (2016) Ireland: Crossroads of Art and Design, 1690–1840: The Music. Yearbook for Traditional Music, 48. pp. 231-232. ISSN 0740-1558

Kearney, Daithi (2018) Listening for Tradition: Contributing to a Regional Musical Identity through Higher Education Research. Musicology Research Journal (5). pp. 387-424. ISSN 2515-981X

Kearney, Daithi (2010) Listening for geography: the relationship between music and geography. Chimera, 25. pp. 47-76.

Kearney, Daithi (2011) Montreal’s Music Community. Treoir, 43 (3). pp. 39-40.

Kearney, Daithi (2015) Pioneer of Folk Theatre, Pat Ahern of North Kerry. Irish Music Magazine , 237 (3). p. 41.

Kearney, Daithi (2012) Radio and regions in Irish traditional music. In: Histories of Irish Traditional Music and Dance. Ancestral Imprints: Histories of Irish Traditional Music and Dance . Cork University Press, Cork, pp. 128-140. ISBN 9781859184929

Kearney, Daithi (2013) Regions, regionality and regionalization in Irish traditional music: the role of Comhaltas Ceoltóirí Éireann. Ethnomusicology Ireland (2/3). pp. 72-94. ISSN 2009-4094

Kearney, Daithi (2017) Reliving Island Life: Staging Stories of the Blasket Islands. Estudios Irlandeses, 1 (12). pp. 73-90. ISSN 1699-311X

Kearney, Daithi (2017) Review: The Irish Dancing: Cultural Politics and Identities, 1900-2000. By Barbara O'Connor. Cork: Cork University Press, 2013. Popular music, 36 (2). pp. 334-335. ISSN 1474-0095

Kearney, Daithi (2016) Revisiting Samhain: Two Directions on a Theme. In: New Crops, Old Fields: (Re)imagining Irish Folklore. Peter Lang Publishing Group, Dublin , pp. 99-124. ISBN 9781787072497

Kearney, Daithi (2015) Sharing Research at Fleadh Cheoil na hÉireann. Treoir, 47 (1). p. 39. ISSN 790 004X

Kearney, Daithi (2020) Soundscapes: geographies of sound and music. In: International Encyclopedia of Human Geography. Elsevier, pp. 297-304. ISBN 9780081022955

Kearney, Daithi (2009) Towards a Regional Understanding of Irish Traditional Music. Musicology Review (5). pp. 19-44.

Kearney, Daithi (2009) Towards a regional understanding of Irish traditional music. ['eprint_fieldopt_thesis_type_phd' not defined] thesis, National University of Ireland, Cork.

Kearney, Daithi (2013) ‘Traditional Irish music here tonight’: Exploring the session space. In: Spacing Ireland: Place Society and Culture in a Post-Boom Era. Manchester University Press, Manchester, England., pp. 171-182. ISBN 9780719086793

Kearney, Daithi (2013) The evolution of Irish folk theatre. In: Sharing Cultures – Proceedings of the 3rd International Conference on Intangible Heritage. Green Lines Institute. ISBN 9789899801356

Kearney, Daithi and Commins, Adèle (2017) Abair Trad Report on the Creative Ireland Symposium on Irish traditional music. In: Creative Ireland Symposium on Irish Traditional Music, Cork.

Kearney, Daithi and Commins, Adèle (2018) Studio Trad: Facilitating traditional music experiences for music production students. Journal of Music, Technology & Education, 11 (6). ISSN 1752-7066

Kearney, Daithi and Kokuer, Munevver and Ali-MacLachlan, Islah and Jancovic, Peter (2019) Curating and annotating a collection of traditional Irish flute recordings to facilitate stylistic analysis. International Journal on Digital Libraries, 20 (1). pp. 107-121. ISSN 1432-5012

Kearney, Daithi and Köküer, Münevver and Ali-MacLachlan, Islah and Jancovic, Peter and Athwal, Cham (2014) Towards the creation of digital library content to study aspects of style in Irish traditional music. In: 1st International Workshop on Digital Libraries for Musicology, London.

Knapp, R. Benjamin and Jaimovich, J and Coghlan, Niall (2009) Measurement of Motion and Emotion during Musical Performance. In: International Conference on Affective Computing & Intelligent Interaction, 10-12 September 2009, Amsterdam, Netherlands.


Lawlor, Helen (2012) Perspectives on Irish Harping, 2012. Sonus, 33 (1). pp. 33-50.

Lynn, Christina (2021) “Classifying Operations”: Constructing and manufacturing identities in Irish and American country music. International Country Music Journal.

Lynn, Christina (2022) From Isolation to Icons: Three Women Artists in Irish Country Music. Doctoral thesis, Dundalk Institute of Technology.


McIntyre, Paul (2013) K. Heather Pinson, The Jazz Image: Seeing Music Through Herman Leonard’s Photography. Jackson, MS: University Press of Mississippi, 2010. 240 pp. ISBN 978- 1604734942 (hbk) £29.74. Jazz Research Journal, 7 (1). pp. 137-142. ISSN 1753-8645

Mullen, Maurice (2022) Return to Fingal: The heritage and practice of Irish traditional music in North County Dublin. Doctoral thesis, Dundalk Institute of Technology.

Murphy, Joseph (2020) A Composers Compendium: Creating an Open Access Repository for Overcoming Obstacles & Improving Simulations with the Sampled Orchestra. Masters thesis, Dundalk Institute of Technology.

Murray, Gemma (2022) A Journey Towards a Community of Musical Practice Through Music Generation Louth's Introducing Strings Programme for Schools. Masters thesis, Dundalk Institute of Technology.


Ryan, Ciarán (2022) DIY Connections and Collaborations: Mid-West to North-East. Irish Communication Review, 18 (1). pp. 9-25.


Ward, Conor (2018) Thomas Kernan and the fiddle traditions of the Conmhaicne region: a critical analysis of selected fiddle sources 1844 to 1973. Doctoral thesis, Dundalk Institute of Technology.

Ward, Conor (2014) Descriptive Piece: ‘Drunken Kelly’. Fiddler Magazine, 21 (3). ISSN 1079-9974

Ward, Conor (2013) Scordatura in the Irish Traditional Fiddle Music of Longford and South Leitrim. The Musicology Review, 8. pp. 109-129. ISSN 1649-6108

This list was generated on Wed Jul 17 23:55:31 2024 UTC.